No More Elvis on Velvet in Vegas;
                      Now it's Picasso and Poker


By ROBERT MACY
 DATELINE LAS VEGAS


     Editor's Note: Robert Macy was an Associated Press Writer for nearly 30 years, and head of the AP's Las Vegas bureau from 1981 to the summer of 2000, when he retired to write nationally-syndicated features and pursue publishing ventures. His web site, www.datelinelasvegas.com, includes features on Las Vegas and its stars.
 

   

                    
     There was a time when the Las Vegas version of fine art ranged from paintings of dogs playing poker to Elvis on velvet or neon-bathed Vegas Vic beckoning visitors to his crowded casino in downtown's Glitter Gulch.
     Not any more.
     Las Vegas' casino chiefs are betting big bucks Vegas visitors are ready for a little culture with their craps, some Picasso with their poker.
     If there is such a thing as a cultural revolution in a place dubbed Sin City, casino magnate Steve Wynn would have to be recognized as the general who led the charge.
     Wynn shelled out a staggering $300 million for fine art in 1998 as he prepared to open his $1.6 billion Bellagio resort, convinced the Vegas crowd would leave the tables long enough to soak up the works of masters such as Picasso, Monet and Renoir.
     Wynn's gamble surprised the pundits, with crowds flocking to the Bellagio Gallery of Fine Art to view works of the masters in the least likely of towns.
     There was some question as to whether this pricey flirtation with fine art would fizzle when billionaire Kirk Kerkorian's MGM Grand, Inc. bought out Bellagio's parent Mirage Resorts, Inc. earlier this year. MGM announced it would sell off the masterpieces to retire Mirage debt, and Wynn bought many of the works personally.
     Wynn, who since bought the Desert Inn and plans a new megaresort complex on the Strip, has declined to discuss the numbers, as has MGM.
     While the new company, MGM-MIRAGE, sold off the expensive artwork, it sent a signal it would stay the course set by Wynn, inking a deal with The Phillips Collection of Washington, D.C. to showcase a special exhibit of modern masterworks. Comprised of 26 major paintings and sculptures, the Bellagio exhibit includes works by artists such as van Gogh, Picasso, Degas, Manet, Cezanne and others.
     "Increasingly sophisticated audiences with a variety of needs and interests have created a market for culturally rich experiences in Las Vegas," said Robert Baldwin, president and CEO of Bellagio.
     Works from The Phillips Collection will be on exhibit at Bellagio through March 4, 2001. Baldwin said it would be the first in a series of "rotating exhibitions from the world's greatest art collections."
     Gallery Director Kathy Clewell said Bellagio "has created a destination for the cultural traveler where previously there was no market."
     "We were overwhelmed with the response to the initial gallery," Clewell told Dateline Las Vegas. "And we have visitors from all over the world who are delighted to find fine art of this quality in Las Vegas. At the same time, we are introducing fine art to many of our visitors who are not connoisseurs, but are very comfortable coming into the gallery in this environment."
     Currently, the gallery draws some 1,000 visitors daily on weekends.
     If fine art fanciers thought the Bellagio gallery was a big deal, they had to be amazed by a coup pulled off in late October by entrepreneur Sheldon Adelson, owner of the $1.5 billion Venetian resort.
     Adelson, who made a fortune developing the giant Comdex computer shows and spent a healthy chunk of it on his posh 3,036-room Venice-themed hotel-casino, announced an alliance between his Venetian, New York's prestigious Solomon R. Guggenheim Museum, and the State Hermitage Museum in
St. Petersburg, Russia.
     Wynn, who was bought out in the MGM-MIRAGE deal, was on hand for the announcement of the Venetian-Guggenheim-Hermitage pact.
     Wynn's presence wasn't lost on Thomas Krens, director of the Solomon R. Guggenheim Foundation.
     "The concept of Guggenheim in Las Vegas wouldn't be possible without Steve Wynn," Krens said.
     Adelson said the two new projects at his resort will feature art "found nowhere else except the greatest museums in the world -- the Guggenheim and the Hermitage."
     And he credited Wynn for the city's unique artistic transformation.
     "I thank Steve Wynn for establishing the first step into the world of art in Las Vegas," Adelson said. "He never looked back. Today we're looking forward because he lit a spark, and we're throwing fuel on the fire."
     Wynn was enthusiastic about the latest development.
     "Isn't this the greatest," he said, standing outside the Venetian after a press conference. "Did you ever think you'd see anything like this in Las Vegas?"
     Dr. Mikhail Shwydkoi, minister of culture of the Russian Federation, said the Russian government and President Vladimir Putin "strongly support this important development."
     "I know highbrow critics will criticize me, having the Hermitage in the capital of gambling," Shwydkoi said.
     But, art is important for the soul of people coming to Las Vegas, and art is "the key to the soul of Russian culture," Shwydkoi said.
     The Venetian project will include a 63,700-foot building to be named the Guggenheim Las Vegas, scheduled to open next summer. It will be designed as a fine art exhibition space, not as a museum with a permanent collection.
     Also planned is a new 7,660-foot structure off the hotel lobby called the Hermitage-Guggenheim Museum, which will open next spring with works from the Hermitage and Guggenheim collections.
     Dr. Mikhail Piotrovski, director of the State Hermitage Museum, called the tie with Las Vegas "a wonderful new step" in the cooperation between the two countries. He said the pact was "helping change the face of Las Vegas."
     "Never did I think when I first came here in 1965 that we would someday see fine art here the quality found in the Guggenheim and Hermitage," Adelson said.        

   
   

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